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123 - A Century : Still Here!

  • Writer: Clément Martin
    Clément Martin
  • Dec 31, 2025
  • 3 min read

Updated: Jan 2

André Martin, Raymond Maillet, and Guy L. Coté demonstrating a replica of Émile Reynaud’s Théâtre Optique at the 1967 Montreal World’s Fair (Expo 67). Image source: guylcote.com/myportfolio/animation/
André Martin, Raymond Maillet, and Guy L. Coté demonstrating a replica of Émile Reynaud’s Théâtre Optique at the 1967 Montreal World’s Fair (Expo 67). Image source: guylcote.com/myportfolio/animation/

On December 31, 2025, André Martin would have celebrated his 100th birthday !


Critic, filmmaker, researcher, and tireless champion of animation, this native of Bordeaux left his mark on five decades of animation cinema—even coining its name in 1952 (1).


Cover of Issue No. 6 of L'Âge du Cinéma (1952), where the term "film d’animation" (animated film) appears for the first time in an article by André Martin and Michel Boschet. Source: https://calindex.eu/sommaire.php?revue=AGC&numero=6
Cover of Issue No. 6 of L'Âge du Cinéma (1952), where the term "film d’animation" (animated film) appears for the first time in an article by André Martin and Michel Boschet. Source: https://calindex.eu/sommaire.php?revue=AGC&numero=6

André Martin’s course was inextricably linked to animation, shaping every phase of his career:

  • In the 1940s, in Bordeaux, where he directed his first animated film;

  • In the 1950s, when he founded the Journées du Cinéma and, alongside Michel Boschet and Pierre Barbin, the Journées Internationales du Cinéma d’Animation (JICA);

  • In the 1960s, as the JICA evolved into the renowned Annecy International Animation Film Festival, and he produced numerous works, notably with Films Martin-Boschet;

  • In the 1970s, when he continued his groundbreaking work as an animation historian;

  • In the 1980s, as he passionately advocated for new images and their artistic potential.

Advertisement for Radio Clinique (c. 1948) featuring André Martin, Michel Boschet, and José Piquer. Photograph source: CNC Archives
Advertisement for Radio Clinique (c. 1948) featuring André Martin, Michel Boschet, and José Piquer. Photograph source: CNC Archives
Commemorative photo from the third International Animation Film Days in Annecy, 1960.
Commemorative photo from the third International Animation Film Days in Annecy, 1960.
Maison Vole by André Martin - Philippe Quéau - INA (1982) – Image: histoire3d.siggraph.org/index.php/Fichier:Maison_vole1.jpg
Maison Vole by André Martin - Philippe Quéau - INA (1982) – Image: histoire3d.siggraph.org/index.php/Fichier:Maison_vole1.jpg

With over a hundred publications—from Cahiers du Cinéma to Banc-Titre—André Martin was a keen observer of the evolution of animation cinema.

Cover of Cahiers du Cinéma No. 49 (July 1955), where André Martin reviews the state of animation cinema in 1954 and 1955.*Image: Collection Geneviève and André Martin.
Cover of Cahiers du Cinéma No. 49 (July 1955), where André Martin reviews the state of animation cinema in 1954 and 1955.*Image: Collection Geneviève and André Martin.

As Director of Research at the Canadian Radio-television and Telecommunications Commission (CRTC) for nearly a decade, André Martin also stood out for his "McLuhanesque" analysis (2) of telecommunications and media, offering a visionary perspective on society that remains strikingly relevant today. Earlier, he collaborated with Michel Boschet to produce two documentaries on photography and two documentaries on television and media at the National Film Board of Canada.

Cover of André Martin’s personal copy of The Gutenberg Galaxy by Marshall McLuhan.
Cover of André Martin’s personal copy of The Gutenberg Galaxy by Marshall McLuhan.
Brochure for André Martin’s two documentaries at the NFB (National Film Board of Canada). Image: Collection Geneviève and André Martin
Brochure for André Martin’s two documentaries at the NFB (National Film Board of Canada). Image: Collection Geneviève and André Martin
Circa 1971: André Martin engages in debates on media and research within his department.
Circa 1971: André Martin engages in debates on media and research within his department.

The year 2026 will be an opportunity to highlight these many facets through publications and republished articles on this blog—including an English version—as well as a series of projects and events we will follow closely.


Beyond the heritage aspect of this centenary celebration, it is also a wonderful chance to explore 50 years of creation, media, technology, sociology, and animation cinema !


In the meantime, his son, five grandchildren, and five great-grandchildren join GAMCA Animation in wishing him a happy birthday !


André Martin as the "patron saint of animation cinema" (Ottawa, Gatineau Park, 1975). Photo: Clément Martin
André Martin as the "patron saint of animation cinema" (Ottawa, Gatineau Park, 1975). Photo: Clément Martin

To be continued !



(1) L’Âge du Cinéma, no. 6 (1952), "Dessin Animé et Pesanteur" (p. 36). This article features the first known use of the term "film d’animation" (animated film).

(2) Image et Son, no. 182 (March 1965), "Ou en est le culte de l’image reine?" 

 
 
 

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